Tuesday, 10 June 2014
Monday, 9 June 2014
Sunday, 18 May 2014
A Still life - but why do these flowers look so good?..
Why do these purple daisies and white chrysanthemums look so good together? Apart from the fact that they are freshly picked, it's probably something to do with the overall complementary colour scheme.
The "white" chrysanthemums actually have a yellowish hue which is complementary to the purple hue of the daisies.
The "white" chrysanthemums actually have a yellowish hue which is complementary to the purple hue of the daisies.
Nature creates a classic combo - gold and purple look good together!
Sunday, 11 May 2014
An Easter treat...
On Easter Sunday, what could be better than unwrapping and eating some smooth and creamy Cadbury milk chocolate Easter eggs?
Well, as an artist, my answer would have to be putting them in glass bowls and photographing them! There are a lot of aesthetic considerations for me here - I just love the combination of the three primary colours and the shine of the foil wrappers and the reflection of the blue glass. I kept them for several weeks after Easter before eating them.
Sunday, 23 March 2014
They say things happen in threes...
The unseasonably warm weather in Sydney has produced some wonderful Autumn roses in my garden. These photos were taken on my Windows phone, using the Hipstamatic Oggl app - I'm still exploring the possibilities.
First Rose: Loftus and DC effects. It's an interesting result, but I think the area of soft focus is a bit out of proportion and overpowers the image.
Second Rose - Loftus and Ina's 1982 effects. Ina's 1982 is described as a "warm white matt effect".
To my eye, this shot works a little better than the first. The soft surrounds frame and draw the eye into the centre of the flower.
Third Rose: Loftus and Dixie effects. I like this one - the soft feathered edges and coloured "light leak" effect of "Dixie" give a painterly, almost dreamlike effect.
Anyway, it's fun to experiment with something different, even if the results aren't perfect.
Friday, 21 March 2014
Thursday, 20 March 2014
Life in the 'burbs - RSL style glasses
Coke glass - Loftus & DC. The DC effect adds the black border and the vignette effect. This snap seems to have my oft repeated triangular compositional theme happening here too.
Wineglass - Loftus & DC
Wineglasses & Jug - Florence & DC
Jug and wineglasses - Foxy & Dixie
Wednesday, 19 March 2014
Still life and coffee...
One cup of coffee - two different photos using Hipstamatic Oggl app for Windows phone. Top photo: Loftus & DC effects; Lower photo: Florence & DC effects. Curves seem to feature in these compositions - the curve of the stylish cup, saucer, table and chair all work together to create visual appeal. Photos taken at the very cool Design building at UTS in Sydney.
Wednesday, 12 March 2014
Vintage looks photos with Hipstamatic..
An old cottage - (with Florence and Blanko Freedom13 effects)
Florence and DC
Florence and BlacKeys SuperGrain
More square photos taken on my Windows phone with Hipstamatic Oggl app. The "Florence" effect promises desaturated tones with sunny highlights - I like the vintage effect for this subject. I have been enjoying trying out various different styles of photos using this app. It's nice to be able to use a phone for something useful!
Tuesday, 11 March 2014
Chairs in Squares...
Broken Chair (Jane and BlacKeys SuperGrain)
Solitary chair (Jane and BlacKeys SuperGrain)
Abandoned chairs (Helga Viking and BlacKeys SuperGrain)
Artists like to try out different tools and methods of creative expression. Over the past week I have been trying out the Hipstamatic Oggl app - a creative photo app for Windows phones. The app takes cute square photos, and the effects provide lots of creative opportunities. Here I have used "Jane" and "Helga Viking" lens effects and Blackeys Supergrain film effect for atmosphere - sort of vintage black and white meets film noir! More Hipstamatic snaps tomorrow.
Monday, 10 March 2014
Asymmetry in Nature - The Australian Bush
This tree is unashamedly asymmetric! Asymmetric subjects create their own compositional challenges, and the placement of this tree in a composition was tricky. In this instance, I have placed the tree trunk just slightly left of centre, breaking the classic compositional rule of thirds. However, the leafy branches diverge to fill about 2/3 of the sky and the background trees occupy approximately the lower third of the frame. So, despite the centrally placed subject this is actually a composition of thirds.
Sunday, 9 March 2014
Succulents in black and white...
Succulents from my garden, gorgeous in black and white. To me succulents are interesting because of their pattern, symmetry and their sculptural forms.
I've enhanced this photo with a lighting effect to increase the tonal variation and add visual interest. This has created 3 main zones - a lighter central area, and the darker triangles in the top LHS and lower RHS corners.
I've enhanced this photo with a lighting effect to increase the tonal variation and add visual interest. This has created 3 main zones - a lighter central area, and the darker triangles in the top LHS and lower RHS corners.
Saturday, 8 March 2014
Friday, 7 March 2014
Thursday, 6 March 2014
Red Begonia Leaf in the morning sunlight...
The warm red colour and attractive shape of this begonia leaf in my garden caught my eye. I also liked the contrast in textures - the smooth leaf surfaces, the texture of the moss and the hairy edges of the leaf. There is an interesting bit of repetition here too - the larger green leaf behind the main subject. And hairy can be beautiful, too.
Wednesday, 5 March 2014
Tuesday, 4 March 2014
White crocus - triangular compositional lines
Another composition including triangles. The clump of white flowers forms a triangle, of sorts. There is a diagonal line running across the image (where the dead leaves and white flowers meet). The green stems at 45 degrees form lines parallel to this line. There are also some triangular shapes among the dead leaves and some of the spaces between the petals form triangles, too.
Of course, at the time of taking the photo I was not thinking of any of this! I just liked the contrast of the dry leaves and white flowers and the way the flowers were leaning over. Later, when I looked at the image again, I saw the triangles, which I note are becoming a bit of a theme.
Of course, at the time of taking the photo I was not thinking of any of this! I just liked the contrast of the dry leaves and white flowers and the way the flowers were leaning over. Later, when I looked at the image again, I saw the triangles, which I note are becoming a bit of a theme.
Monday, 3 March 2014
Chive flowers and diagonals in composition...
Flowers are most often photographed upright with their stems vertical. Here, the 45 degree angle of the main stem, and the stems in the background create a series of triangles. The slats of the wooden deck, at various angles, create an series of opposing lines.
More interesting angles and triangles in this photo of a chive flower growing out over the edge of my deck.
More interesting angles and triangles in this photo of a chive flower growing out over the edge of my deck.
Sunday, 2 March 2014
Triangular composition and Bromeliads...
These potted bromeliads provided a splash of colour on an otherwise rainy and overcast day in Sydney. The pink, red and greens work well as complementaries. I have also been interested in triangular compositions lately - here the angles formed by the edges of the pot, the 3 flowers forming a triangle, and the diagonal lines of the wooden steps and pavers all add visual interest to the composition.
Saturday, 1 March 2014
Thursday, 27 February 2014
Wednesday, 26 February 2014
Colour gradations in Nature….
This is how the same plant would look underwater! Another nice colour gradation…
Sunday, 23 February 2014
Sunday, 16 February 2014
Wednesday, 12 February 2014
Monday, 10 February 2014
Lily's lovely lines....
More interesting lines today in these photos of lilies in my garden. Firstly the striations on the lily petals add visual interest and draw the eye outwards. Also, the lines of the faded flower and stamens in the background duplicate the lines of the longest petal.
Here, the main flower is placed centrally but there is a diagonal "line" or visual connection formed by the green stem from the top RHS to the lower LHS. The unopened lily, at almost 90 degrees to this diagonal creates another interesting line.
Saturday, 8 February 2014
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